The Devil Wears Prada
Every Time I Die, LetLive, Oh Sleeper
Fri, March 16, 2012
6:00 pm
The Glass House
Pomona, CA
$20.00 - $25.00
Tickets
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The Devil Wears Prada
The Devil Wears Prada, formed in 2005 in Dayton, Ohio, started out riding high on Rise Records, releasing Dear Love: A Beautiful Discord which scanned over 50,000 copies and Plagues which has sold over 100,000 copies. In 2008, right before embarking on the Van's Warped Tour, The Devil Wears Prada announced their signing with Ferret. The band composed of Jeremy DePoyster (guitar/vocals), Daniel Williams (drums), Mike Hranica (vocals), Chris Rubey (guitar), Andy Trick (bass) and James Baney (keys) has been incredibly busy since the release of Plagues, including headlining multiple tours in the US and internationally and have also been featured on multiple festivals worldwide.
Every Time I Die
While there's no exact science to the resulting madness that is ETID's signature blend of turned-to-eleven hardcore mixed with southern-fried metal, over the last decade the band has consistently produced fan-favorite releases from albums Big Dirty to Hot Damn!, with New Junk Aesthetic as icing on the proverbial metallic cake.
"New Junk Aesthetic is not the next logical step in the progression of Every Time I Die," explains front-man Keith Buckley. "It is an evolutionary leap. It's as if we have morphed from a single-celled bacteria straight to the guy with the dirt bike that will let you watch his older sister suntan if you steal him a smoke from your parents. Certainly you may acknowledge similarities, but on a grand scale, they stand light years apart."
Maniacal, convulsive and completely unpredictable are but a few words that come to mind when listening to New Junk Aesthetic. With Big Dirty producer Steve Evetts at the helm again, ETID set out to corrupt souls and bring fans to their knees with an orchestrated chaos of their heaviest most skillful album.
"New Junk Aesthetic is not the next logical step in the progression of Every Time I Die," explains front-man Keith Buckley. "It is an evolutionary leap. It's as if we have morphed from a single-celled bacteria straight to the guy with the dirt bike that will let you watch his older sister suntan if you steal him a smoke from your parents. Certainly you may acknowledge similarities, but on a grand scale, they stand light years apart."
Maniacal, convulsive and completely unpredictable are but a few words that come to mind when listening to New Junk Aesthetic. With Big Dirty producer Steve Evetts at the helm again, ETID set out to corrupt souls and bring fans to their knees with an orchestrated chaos of their heaviest most skillful album.
Oh Sleeper
